Death Cab For Cutie
Thank You For Today
Atlantic / Barsuk
2018
Rating: 6.5 near-sighted ophthalmologists out of 10
Hey guys, there’s a new Death Cab For Cutie record out called “Thank You For Today“! It sounds just like that Postal Service band, only less electronic!
To put it quite simply – the songs that sound like classic Death Cab For Cutie songs? I quite like those. There’s a place in my heart for somber Ben Gibbard indie pop, a place that’s been there for twenty years now, a place that I doubt ever goes away. But the bad eighties pastiche of “I Dreamt We Spoke Again” and “Gold Rush,” the song that sounds like an Imagine Dragons cover? Oof, that’s some hot garbage, and it actually seems even worse than it actually is because those two are the first and third songs - putting a bad taste in your mouth from the start. Luckily, I stuck with it and the good far outweighs the bad, and unless you’re listening to this on cassette it’s damn easy to skip to the next track. The entire second half of the record is especially good – “Autumn Love” and “Northern Lights” should have been the first two songs, and album closer “60 & Punk” is one of their best tracks this century. A little better tracking during post-production to bury the couple of turds floating in the pond would have worked wonders here.
Showing posts with label Death Cab for Cutie. Show all posts
Showing posts with label Death Cab for Cutie. Show all posts
Thursday, August 23, 2018
Wednesday, December 31, 2003
The Postal Service - Give Up (Sub Pop, 2003)
The Postal Service
Give Up
Sub Pop
2003
Rating: 7.5 prison sleepers out of 10
Most of the time, super groups don’t work (remember Contraband?) - Postal Service is the odd exception, and it works quite well. Primarily made up of Jimmy Tamborello (Strictly Ballroom, Dntel, sometimes helps out with Beachwood Sparks) and Ben Gibbard (Death Cab for Cutie, All-Time Quarterback), The Postal Service got their name from the way the band assembled their songs, by sending bits and pieces to each other through the mail and having the other add their part to the music. Back and forth it went, until a song popped out (or possibly they couldn’t afford any more stamps, whichever came first, but this second part is just a guess). These boys also got a little help in the additional vocals department from Jenny Lewis (Rilo Kiley) and Jen Wood, to help sweeten out the sound. Like I said, the result is magnificent, a beautiful mesh of electronic beats and bumps, synthesized bits that sound like they were taken from the original Nintendo, and an occasional flash of organic instruments such as the guitar all add up to the first really great indie-pop masterpiece of the year, and it’s certain to make it onto my year-end best of list.
Give Up
Sub Pop
2003
Rating: 7.5 prison sleepers out of 10
Most of the time, super groups don’t work (remember Contraband?) - Postal Service is the odd exception, and it works quite well. Primarily made up of Jimmy Tamborello (Strictly Ballroom, Dntel, sometimes helps out with Beachwood Sparks) and Ben Gibbard (Death Cab for Cutie, All-Time Quarterback), The Postal Service got their name from the way the band assembled their songs, by sending bits and pieces to each other through the mail and having the other add their part to the music. Back and forth it went, until a song popped out (or possibly they couldn’t afford any more stamps, whichever came first, but this second part is just a guess). These boys also got a little help in the additional vocals department from Jenny Lewis (Rilo Kiley) and Jen Wood, to help sweeten out the sound. Like I said, the result is magnificent, a beautiful mesh of electronic beats and bumps, synthesized bits that sound like they were taken from the original Nintendo, and an occasional flash of organic instruments such as the guitar all add up to the first really great indie-pop masterpiece of the year, and it’s certain to make it onto my year-end best of list.
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